n the brink of her 30th birthday, Fanny feels the door to marital happiness closing up on her. She is obsessed with death, even visits evening classes on dying and so it seems fitting, that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a black, gay self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

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