S

et in Margate, each episode, created by actor improvisation, acts as a self-contained story, though all five stories are set in the same place and time and roughly interlink: A married man is torn between his family and his first love; a female teacher develops feelings for a female pupil; a middle aged woman ponders how to deal with stale marriage and cheating husband; a new father experiences love at first sight with a younger woman; and a divorcée searching for true love deals with an obsessive stalker.

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